With
the Moe!Kestra!:
On Inauguration Day (Tuesday, January 20th) I sat in on guitar with the usually very large
and random Moe!Kestra! performing a piece Moe wrote in celebration of the event
called "End of an Error." This took place at the Uptown in downtown Oakland. I say "guitar"
but really it was a baritone guitar will all strings tuned to "D" - there were about a
dozen guitarists all with similar note assignments, and a large percussion section, and a
large string section. It was a fun piece to play, a very large and loud thing, peformed with verve as people
were genuinely psyched given the major shift in American politics we've been waiting for
far too long. Glad I brought earplugs.
With
Dustystax and the Gold Star Band:
Old pal and musical cohort Chris Sipe is in this project that does occasional tribute
shows, and had one coming up doing all Fleetwood Mac. Sadly, their keyboardist had
a family emergency at the last minute, and Chris asked if I could leap in and help out.
I had the weekend more or less at that point, so yeah! Me and another keyboardist, Rusty,
crammed the 20+ songs which was actually kinda easy compared to other cramming I had to
do in the past. The band was great, backing up a litany of singers who sang one or two
songs apiece, spanning the wide variety of songs during the lengthy Fleetwood Mac
lifetime. We performed three days after my first rehearsal with the group, on Sunday,
March 1st at the Make Out Room in SF. Despite being a rainy school night, the place was
packed, and the crowd ate it up! It was a total blast, and I was totally psyched to meet
and be able to help out this fine batch of talented folks.
With
The Jimmy Bond Orchestra:
Well, kind of a spinoff of Casino Royale, really - just more spy-music oriented.
Anywho, we played a corporate gig way down in Carmel on Friday, March 20th. The Bay Area
people (me, Jamison, House) shlepped down in Jamison's van. The out of towners (Scrote,
Paul, and Kevin - who was subbing for Wes) were already there when we arrived,
having flown into San Jose airport earlier that day. It was a fairly straightforward
gig and we were treated well. We did a dinner set and a dancing set, during the latter
we kicked out the jams for the people who were sticking around well into the evening.
Managed to pack up and drive back to the Bay Area before it got ridiculously late.
I even got back home before Jenya returned from her gig at Davies Symphony Hall (in SF).
With
The Fuxedos:
Back at the Elbo Room in SF, playing an April Fool-sy type event on April Fool's Day
(Wednesday, April 1st). Crazy show, lots of talkers, acts, and music. Attendance could
have been better but a lot of shit was going on tonight all over the bay. Still Brian
Kenney Fresno played a short and amazing set right before us. I was pleased to be
able to borrow amps for my guitar/keys - made things a lot easier. We kicked ass, I think,
and I supremely enjoyed Danny getting all agitated and aggro and anti, dressing down the
Bay Area stoner alternative elite. "Yeah you're yuppies are so much better than ours."
Things were running late so I didn't get off the stage until after midnight. There were
hopes earlier of me sprinting over to Red Devil Lounge to see Jenya play with Long
Thaw but it wasn't in the card. Instead I packed up and snuck out right after playing.
Got pulled over on the bay bridge under suspicion of drunk driving on the way home. I had
nothing to drink - I was changing CDs and swerving erratically in the process. The cop was
nice and realized quickly he was wasting his time and let me go.
With
Casino Royale:
Played a school fundraising benefit at Bimbo's in SF on Saturday, May 2nd. Not exactly
sure what school district could afford/organize such an endeavor, so maybe I'm wrong about that,
but this ended up being a great gig. We did have an early soundcheck and late downbeat, which
meant we had 5 hours to kill in between. So a bunch of us went to go see that "Anvil" movie,
which was incredible (and an odd thing to see before playing a gig). Even better was that Jenya
was able to meet us at the theatre in SF and catch the flick with us. Then back to Bimbo's
where we had a great 90 minute jam-packed set. Full house, full dance floor from beginning to
end. That's always nice and inspiring.